Spatial Pulse brings together abstract paintings rooted in unstable perception: the way space shifts according to distance, scale, point of view, and time.

 

These works do not begin from a fixed image or a pre-defined composition, but from sensations of expansion, movement, atmospheric intensity, and changing spatial awareness.

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Some paintings emerge from experiences in which scale becomes uncertain: a sea of clouds seen from an airplane, a wave perceived differently from the shore or from a boat, satellite views that dissolve the sense of size and turn landscape into structure, pattern, and repetition. Rather than describing these sources directly, the paintings translate them into fields of colour, rhythm, gesture, and spatial tension.

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In Spatial Pulse, abstraction becomes a way of testing how perception is formed. Near and far, surface and depth, detail and immensity remain in constant negotiation. What appears stable at one distance may dissolve at another; what seems vast may also feel intimate, and what seems immediate may carry a deeper temporal dimension.

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Memory operates here not as image, but as spatial residue — as rhythm, intensity, atmosphere, and duration. The works unfold as living fields in which space is not represented, but felt, altered, and rediscovered through painting.